One of the first artists in the United States to employ the sculptural technique of direct carving, William Zorach was born Zorach Samovich in Eurberick (now Jurbarkas), Lithuania in 1889. When he was a child, his family emigrated to the United States, settling in 1891 in Cleveland and changing the family name to Finkelstein. In grammar school, Zorach’s name underwent a second transformation when his teacher dubbed him William. Zorach’s parents struggled to feed their ten children, and when he was a teenager, Zorach dropped out of school to work for a commercial lithography firm, while taking night classes at the Cleveland Art School. In 1908, Zorach left Cleveland for New York City and enrolled in courses at the National Academy of Design. Two years later, he traveled to Paris, where he studied at the cutting-edge Académie de la Palette with John Duncan Fergusson and Jacques-Emile Blanche and met Marguerite Thompson, an American artist who had been in Paris since 1908. Zorach was a talented painter, but his style remained academic; Thompson helped him to find his own artistic vision. In 1911, Zorach participated in the Salon d’Automne, and the following year, the couple moved back to the United States and married. They settled in New York’s Greenwich Village, where, because neither artist had gallery representation, they held exhibitions in their home, which they dubbed the “Zorach Studio.”(1) In 1913, he exhibited two works in The Armory Show.

Although Zorach had been trained in drawing and painting, he was self-taught as a sculptor. In 1917, he began experimenting with the technique of carving directly into wood; four years later, he added stone to his range of media. By 1922, Zorach had abandoned painting in oil but remained committed to watercolors while continuing to find his voice as a sculptor. Nature served as the inspiration for his sculptural works and his output was devoted to lyrical works of reclining female nudes and elegant stone faces and torsos influenced by Greek classicism as well as sculpture from Asia, the Pacific, and Africa. He began to exhibit regularly at the Downtown Gallery with Edith Halpert, and by the end of the 1920s, he started to gain national recognition for his art. In 1921, the Pennsylvania Academy of Fine Arts had his first of four solo exhibitions and in 1929, Zorach began a thirty-year teaching career at the Art Students League. A founding member of the Sculptor's Guild, he was a visiting artist in 1946 at the Skowhegan School of Painting and Sculpture; he continued his affiliation with the school annually until his death.