1959
Rosequist Gallery, Tucson, AZ
1960
IBM Gallery, New York, NY
Rosequist Gallery, New York, NY
1961
Forty Painters, City Center Gallery, New York, NY
IBM Gallery, New York, NY
1962
Pratt Graphic Talent 1962, Lever House, New York, NY
Krasner Gallery, New York, NY
Staten Island Museum, New York, NY
1963
Krasner Gallery, New York, NY
Art Festival for NAACP Legal Defense, Brooklyn Museum, Brooklyn, NY
Twenty-Eighth Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC
1964
Krasner Gallery, New York, NY
1965
New Acquisitions, Aldrich Museum of Contemporary Art, Ridgefield, CT
Bridge Gallery, New York, NY
1966
Krasner Gallery, New York, NY
1968
1968 Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, NY
8 + 8, Riverside Museum, New York, NY
Cordier & Ekstrom Gallery, New York, NY
1969
Highlights of the 1968-1969 Season, Aldrich Museum of Contemporary Art, Ridgefield, CT
Human Concern/Personal Torment: The Grotesque in American Art, Whitney Museum of American Art, New York, NY; University Art Museum (now Berkeley Art Museum ad Pacific Film Archive), University of California, Berkley, CA
Contemporary American Sculpture, Selection 2, Whitney Museum of American Art, New York, NY
Blocked Metaphors, Cordier & Ekstrom Gallery, New York, NY
1970
Zeitgenossen, Stadtische Kunsthalle Recklinghausen, Germany
January ’70: Contemporary Women Artists, Hawthorne Gallery, Skidmore College, Saratoga Springs, NY
Contemporary Women Artists, The National Arts Club, New York, NY
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN
The World of Masks, Emily Lowe Gallery, Hofstra University, Hempstead, NY
Face Coverings, Museum of Contemporary Crafts of the American Crafts Council (now Museum of Arts and Design), New York, NY; The Society of the Four Arts, Palm Beach, FL
1971
Prints and Drawings: Recent Acquisitions, Princeton University Art Museum, Princeton University, Princeton, NJ
Counterpoint: Sculpture by Italo Sanga, Remo Saraceni, Carlo Travaglia, Nancy Grossman, and Sidney Simon, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
1972
Bestiary, Cordier & Ekstrom Gallery, New York, NY
Recent Figure Sculpture, Fogg Art Museum (now Fogg Museum, Harvard Art Museums), Harvard University, Cambridge, MA; Museum of Art (now RISD Museum), Rhode Island School of Design,Providence, RI; Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME: Hopkins Center Art Galleries, Dartmouth College, Hanover, NH; Vassar College Art Gallery (now Frances Lehman Loeb Art Center), Vassar College, Poughkeepsie, NY
Artists’ Benefit for Civil Liberties, Leo Castelli Gallery, New York, NY
Selections from the Aldrich Museum Collection, Aldrich Museum of Contemporary Art, Ridgefield, CT
After Surrealism: Metaphors and Similes, John and Marble Ringling Museum of Art, Sarasota, FL
1973
1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York, NY
The Torso, Andrew Crispo Gallery, New York, NY
1974
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN
Contemporary American Sculpture, The Society of the Four Arts, Palm Beach, FL
Invitational Exhibition, American Academy of Arts and Letters/National Institute of Arts and Letters, New York, NY
In Her Own Image, Samuel S. Fleisher Art Memorial, Philadelphia Museum of Art, Philadelphia, PA
Woman’s Work: American Art 1974, Museum of the Philadelphia Civic Center, Philadelphia, PA
Cordier & Ekstrom Gallery, New York, NY
Contemporary Arts Center Cincinnati, OH
1975
Rutgers University, New Brunswick, NJ
Long Island Collectors Exhibition: Modern Masterpieces and Contemporary Art from Distinguished Long Island Collectors, Hillwood Art Museum, C.W Post Campus, Long Island University, Brookville, NY
A Change of View, Aldrich Museum of Contemporary Art, Ridgefield, CT
Menace, Museum of Contemporary Art, Chicago, IL
Cordier & Ekstrom Gallery, New York, NY
Contemporary American Sculpture, F&M Center Gallery, Richmond, VA
Headdress: A History of American Headgear, John Michael Kohler Arts Center, Sheboygan, WI
The Bronx Museum of the Arts, Bronx, NY
Selections from the Permanent Collection of the Whitney Museum of American Art, Mead Art Building (now Mead Art Museum), Amherst College, Amherst, MA
1976
The Presence and the Absence in Realism, Roland Gibson Gallery, State University of New York, Potsdam, NY
Drawing Now: Ten Artists, Soho Center for Visual Artists, New York, NY
American Artists ’76: A Celebration, Marion Koogler McNay Art Institute (now McNay Art Museum), San Antonio, TX
American Concern: The Humanist View, Haupert Union Building, Moravian College, Bethlehem, PA
Perspective 1976, Freedman Art Gallery, Albright College, Reading, PA
Cordier & Ekstrom Gallery, New York, NY
1977
Contemporary Women: Consciousness and Content, Brooklyn Museum, Brooklyn, NY
Drawing Today in New York, Hamilton Gallery of Contemporary Art, New York, NY
Alumni Fine Arts Show, Pratt Institute, Brooklyn, NY
Contemporary Issues: Works on Paper by Women, The Woman’s Building, Los Angeles, CA
Images of Horror and Fantasy, The Bronx Museum of the Arts, Bronx, NY
Circa 1963, Buecker and Harpsichords, New York, NY
Women’s Art Symposium National Invitational Exhibition, Turman Gallery, Indiana State University, Terre Haute, IN
Cordier & Ekstrom Gallery, New York, NY
Thirty Years of American Art 1945-1975: Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY
Contemporary Paintings and Prints, The Newark Museum (now The Newark Museum of Art), Newark, NJ
Loan exhibition, Port Washington Public Library, Port Washington, NY
Skin, Dayton Art Institute, Dayton, OH
1978
Women From Nostalgia to Now, Alex J. Rosenberg Gallery, New York, NY
Constructs, Organization of Independent Artists, Bleecker Renaissance, New York, NY
Collage 1978, Goddard-Riverside Community Center, New York, NY
1979
The 1970s: New American Painting, organized by the New Museum of Contemporary Art, New York, NY, sponsored by the US Information Agency (USIA); National Museum, Belgrade, Serbia; National Museum, Warsaw, Poland; venues in Budapest, Hungary; Bucharest, Romania; Zagreb, Croatia; Ljubljana, Slovenia; Rome, Italy; and Copenhagen, Denmark
Form and Figure, circulated by the Western Association of Art Museums, San Francisco, CA; Tyler Museum of Art, Tyler, TX
The Figure of Five, The Gallery, Miami-Dade Community College, Miami, FL
The Unpainted Portrait: Contemporary Portraiture in Non-Traditional Media, John Michael Kohler Art Center, Sheboygan, WI
The Male Image, Robert Samuel Gallery, New York, NY
As We See Ourselves: Artists’ Self-Portraits, The Heckscher Museum of Art, Huntington, NY
Women in Art: The Politics of Esthetics, Harold F. Johnson Library Center, Hampshire College, Amherst, MA
Selections from the Olga Hirshhorn Collection, Huntington Galleries (now Huntington Museum of Art), Huntington, WV
Twentieth Century Sculptors and Their Drawings: Selections from the Hirshhorn Museum and Sculpture Garden, organized by Smithsonian Institution Traveling Exhibition Service (SITES) and the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; Columbus Museum of Art, Columbus, OH; Columbus Museum of Arts and Crafts (now The Columbus Museum), Columbus, GA; Flint Institute Of Arts, Flint, MI; The Society Of Four Arts, Palm Beach, FL; Anchorage Historical And Fine Arts Museum (now the Anchorage Museum), Anchorage, AK; Yellowstone Art Center, Billings, MT
Collage: American Masters, Montclair Art Museum, Montclair, NJ
The Figure in Sculpture, Institute of Contemporary Art, Virginia Museum of Fine Arts, Richmond, VA
1980
American Sculpture: Gifts of Howard and Jean Lipman, Whitney Museum of American Art, New York, NY
50th Anniversary of the Whitney Museum of American Art, Whitney Museum of American Art, New York, NY
Works on Paper, Newhouse Gallery, Snug Harbor Cultural Center, Staten Island, NY
Perceiving Modern Sculpture, Grey Art Gallery, New York University, New York, NY
10th Season Group Show, Buecker and Harpsichord, New York, NY
1981
Bronze, Hamilton Gallery, New York, NY
Figuratively Sculpting, P.S.1, Institute for Art and Urban Resources (now MoMA PS1), Long Island City, NY
The Figure: A Celebration, University of North Dakota Art Galleries, Grand Forks, ND
New Dimensions in Drawing 1950-1980, Aldrich Museum of Contemporary Art, Ridgefield, CT
Drawing Acquisitions 1978-1981, Whitney Museum of American Art, New York, NY
The Figurative Tradition and the Whitney Museum of American Art: Painting and Sculpture from the Permanent Collection, Whitney Museum of American Art, New York, NY
1982
Neo-Objective Sculpture, Dart Gallery, Chicago, IL
Body Language: Current Issues in Figuration, University Art Gallery, San Diego State University, San Diego, CA
New Wave Figurative Art, Baker Gallery, La Jolla, CA
The Americans: The Collage, Contemporary Arts Museum, Houston, TX
Spring Loan Exhibition 1982, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Highlights from the Permanent Collection (1982), Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Collages from the Hirshhorn Museum and Sculpture Garden, Hillwood Art Museum, C. W. Post Campus, Long Island University, Brookville, NY
1983
The Sculptor as Draftsman, Whitney Museum of American Art, New York, NY
Terminal New York, The Brooklyn Army Terminal, Brooklyn, NY
20th Century Painting for the Discerning Collector, Galleria La Medusa, Rome, Italy
Gallery Sculptors, Terry Dintenfass Gallery, New York, NY
1984 - A Preview, Ronald Feldman Fine Arts, New York, NY
Six Sculptors, Bette Stoler Gallery, New York, NY
[Exhibition in Gallery 301], Saint Louis Art Museum, Saint Louis, MO
1984
Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA
American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY
About Face, Art Museum of South Texas, Corpus Christi, TX
Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY
ID, Bette Stoler Gallery, New York, NY
Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY
Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada
Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY
Sculptors’ Drawings 1910-1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY
An Other Vision: Selected Works by Women Artists in the Weatherspoon Gallery Collection, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Sculpture: Elisabeth Frink, Nancy Grossman, Richard Hunt, William King, Donald Sandstrom, Harold Tovish, Terry Dintenfass Gallery, New York, NY
1985
Contemporary Figure Drawing, Concourse Gallery, Minneapolis College of Art and Design, Minneapolis, MN
Large Drawings, Bass Museum of Art, Miami Beach, FL; Madison Art Center, Madison, WI; Norman MacKenzie Art Gallery, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, AK; Santa Barbara Museum of Art, Santa Barbara, CA; Tweed Museum of Art, Duluth, MN
Black and White II: The Absence of Color, Hand In Hand Galleries Ltd., New York, NY
American Art: American Women, Stamford Museum and Nature Center, Stamford, CT
Invitational Exhibition, Artmart, New York, NY
Collage: The State of the Art, Bergen Museum of Art and Science, Paramus, NJ
Contemporary Art: Selections from the Permanent Collection and Works on Loan to the Art Museum, Princeton University Art Museum, Princeton University, Princeton, NJ
1986
Relief Sculpture: Selections from the Museum’s Collection, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Maelstrom: Contemporary Images of Violence, Emily Lowe Gallery, Hofstra University, Hempstead, NY
1987
The Political is Personal, Ceres Gallery, New York, NY
Images of Power: Visual Statements by 10 Major Women Artists, Rockland Center for the Arts, West Nyack, NY
The Drawing Show, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN
Modern American Realism: The Sara Roby Foundation Collection, National Museum of American Art (now Smithsonian American Art Museum), Smithsonian Institution, Washington, DC
Crime and Punishment, Schreiber/Cutler, Inc., New York, NY
30 from 25, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV
National Sculpture Society: Fifty-Fourth Annual Exhibition, Port of History Museum at Penn’s Landing, Philadelphia, PA
Drawings: Invitational Exhibition, Bemis Foundation Alternative Worksite, New Gallery, Omaha, NB
Spatial Considerations/Invitational Sculpture Exhibit, Decker and Meyerhoff Galleries, Maryland Institute College of Art, Baltimore, MD
The Eloquent Object: The Evolution of American Art in Craft Media Since 1945, The Philbrook Museum of Art, Tulsa, OK; Oakland Museum of California, Oakland, CA; Museum of Fine Arts, Boston, MA; Chicago Public Library and Cultural Center, Chicago, IL; Orlando Museum of Art, Orlando, FL; Virginia Museum of Fine Arts, Richmond, VA
An American Portrait, Hofstra University Museum of Art, Hofstra University, Hempstead, NY
1988
Work of the Spirit, Ceres Gallery, New York, NY
American Works on Paper, Spanierman Gallery, New York, NY
The 40's to the 80's: American Art from the Weatherspoon Art Gallery, St. John's Museum of Art (now Cameron Art Museum), Wilmington, NC
Late 20th Century Art, from the collection of the Virginia Museum of Fine Arts, Bedford Gallery, Longwood College, Farmville, VA
1989
Works from the Permanent Collection: A Rotation Exhibition, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
A Figurative Perspective: Recent Paintings and Sculpture from the Virginia Museum of Fine Arts, Worcester Art Museum, Worcester, MA
Japanese tour of The Eloquent Object: The Evolution of American Art in Craft Media Since 1945, The National Museum of Modern Art, Kyoto, Japan; The National Museum of Modern Art, Tokyo, Japan
1990
Nancy Grossman, Ariane Lopez-Huici, Aura Rosenberg, Carolee Schneemann, Joan Semmel, Nahan Contemporary, New York, NY
No Trends, Nahan Contemporary, New York, NY
Art - The Universal Language, Rempire Gallery, New York, NY
Broken Rifles: American Artists Honor the War Resisters League, Arthur A. Houghton Gallery, Cooper Union, New York, NY
An Artist’s Christmas, Midtown Payson Galleries, New York, NY
1991
World Disorder, The Cultural Space, New York, NY
The Hybrid State: Parallel History, Exit Art, New York, NY
Art On Paper 1991, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Height x Length x Width, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Recent Acquisitions: 1987-1991, Emily Lowe Gallery, Hofstra University, Hempstead, NY
Smith Collects Contemporary: Paintings and Sculpture from Alumnae Collections and the Smith College Museum of Art, Smith College Museum of Art, Smith College, Northampton, MA
1992
Rubber Soul, LedisFlam Gallery, New York, NY
Erotiques, A.B. Galeries, Paris, France
The Auto-Erotic Object, Hunter College Gallery, Hunter College, The City University of New York, New York, NY
1920 - The Subtlety of Subversion, The Continuity of Intervention, Exit Art/The First World, New York, NY
Cast, Carved and Forged: Shaping Sculpture, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Contemporary Sculpture from the VMFA Collection, Bayly Art Museum (now The Fralin Museum of Art), University of Virginia, Charlottesville, VA
Figurative Works from the Permanent Collection, Whitney Museum of American Art, New York, NY
1993
Women at War, LedisFlam Gallery, New York
Street Play, Tribeca 148 Gallery, New York, NY
Coming to Power: 25 Years of Sexually X-Plicit Art by Women, David Zwirner Gallery, New York, NY
Annual Exhibition, National Academy of Design, New York, NY
Recent Acquisitions to the Weatherspoon Collection, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
What's in a Label?, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Transformed Reality, Virginia Museum of Fine Arts, Richmond, VA
Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
K&B Drugs and Virland Foundation Exhibition, Longview Art Museum, Longview, TX
Abject Art, Whitney Museum of American Art, New York, NY
1994
Crime, Solo Impressions, Inc., New York, NY
Matrilineage, Joe and Emily Lowe Art Gallery, Syracuse University, Syracuse, NY
Rough Cuts, Henry Street Settlement/Abrams Art Center, New York, NY
1995
Nancy Grossman / Linda Stein, Cortland Jessup Gallery, Provincetown, MA
A Matter of Synthesis: Collage and Assemblage, Arlene Bujese Gallery, East Hampton, NY
Collage: Made in America, Michael Rosenfeld Gallery LLC, New York, NY
In Three Dimensions: Women Sculptors of the 90’s, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY
In A Different Light, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA
Drawings by Sculptors: Selections from the Permanent Collection, Arkansas Arts Center (now Arkansas Museum of Fine Arts), Little Rock, AR
Altered and Irrational: Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY
1996
Chips off the Block: Carvers, Luise Ross Gallery, New York, NY
Fiber and Form: The Woman’s Legacy, Michael Rosenfeld Gallery LLC, New York, NY
Patchwork, Andre Zarre Gallery, New York, NY
Nancy Grossman / Bruce Cratsley, Cortland Jessup Gallery, Provincetown, MA
Powerful Expressions: Recent American Drawings, National Academy of Design, New York, NY
Expressive Voices of the Meaningful: Large Drawings and Objects from the Arkansas Arts Center Foundation Collection, Arkansas Arts Center (now Arkansas Museum of Fine Arts), Little Rock, AR
Escape from the Vault, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Seeing Across Cultures: Objects from the VMFA, Marsh Art Gallery, George M. Modlin Center for the Arts, University of Richmond, Richmond, VA
1997
Sweet and Mellow, Exit Art/The First World, New York, NY
1998
Modern American Realism: The Sara Roby Foundation Collection from the National Museum of American Art, Cornell Fine Arts Museum (now the Rollins Museum of Art), Rollins College, Winter Park, FL; Madison Art Center, Madison, WI; Columbus Museum, Columbus, GA; The Heckscher Museum of Art, Huntington, NY; Everson Museum of Art, Syracuse, NY
The ‘60’s in the Seventies, Ubu Gallery, New York, NY
Peep Show, Exhibition of Erotic Fact and Fantasy, Luise Ross Gallery, New York, NY
Twentieth Century American Drawings, Arkansas Arts Center, Little Rock, AK; Sunrise Museums, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Art Museum, Boise, ID
Rendezvous North Carolina: Twentieth-Century Sculpture and Sculptors’ Drawings, from the collections of the Weatherspoon Art Gallery and the Ackland Art Museum, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC; Ackland Art Museum, The University of North Carolina, Chapel Hill, NC
1999
Afterimage: Drawing Through Process, Museum of Contemporary Art and The Geffen Contemporary, Los Angeles, CA
Contemporary Classicism, Neuberger Museum of Art, State University, Purchase, NY
Intimate Expressions: Two Centuries of American Drawings, The Columbus Museum, Columbus, GA
Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Chronicle, School of Visual Arts, New York, NY
Large Drawings from the Arkansas Arts Center Foundation Collection, circulated by Smith-Kramer Fine Arts Services, Kansas City, MO; The Columbus Museum, Columbus, GA; The Butler Institute of American Art, Youngstown, OH; Mississippi Museum of Art, Jackson, MS; Cedar Rapids Museum of Art, Cedar Rapids, IA; Hunter Museum of American Art, Chattanooga, TN; Center for Visual Art, Metropolitan State University, Denver, CO; Georgia Museum of Art, University of Georgia, Athens, GA; Washington State University Museum of Art (now Jordan Schnitzer Museum of Art), Washington State University, Pullman, WA; Pensacola Museum of Art, Pensacola, FL
2000
The End: An Independent Vision of the History of Contemporary Art, 1982-2000, Exit Art, New York, NY
The Likeness of Being: Contemporary Self-Portraits by 60 Women, DC Moore Gallery, New York, NY
True Grit: Seven Female Visionaries before Feminism, Michael Rosenfeld Gallery LLC, New York, NY; Mills College Art Gallery, Oakland, CA; Boise Museum of Art, Boise, ID; Marsh Art Gallery, University of Richmond, Richmond, VA; Farnsworth Art Museum, Rockland, ME; El Paso Museum of Art, El Paso, TX; Newcomb Art Gallery, Tulane University, New Orleans, LA; Center for the Visual Arts, Metropolitan State College, Denver, CO
Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery LLC, New York, NY
Couples, Pairs and Twos: An Exhibition of Selected works from the Permanent Collection of the Weatherspoon Art Gallery, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Material Language: Small-Scale Sculpture after 1950, Princeton University Art Museum, Princeton University Art Museum, Princeton University, Princeton, NJ
Highlights from the Permanent Collection: From Pollock to Today, Whitney Museum of American Art, New York, NY
2001
Eighteen Year Retrospective Exhibition, Beacon Street Gallery, Chicago, IL
Rupture & Revision: Collage in America, Pavel Zoubok, Inc, New York, NY
Tracing Vision: Modern Drawings from the Ceseri Collection and the Georgia Museum of Art, Wright State University Art Galleries, Dayton, OH; Samuel P. Harn Museum, University of Florida, Gainesville, FL
Me and My Baby: Identity and Creativity, Lucy Daniels Foundation Annual Conference on Psychoanalysis and Creativity, Cary, NC
Cool and Collected: Recent Contemporary Acquisitions, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
People at the Art Museum, Saint Louis Art Museum, Saint Louis, MO
2002
Gloria: Another Look at Feminist Art of the 1970s, White Columns, New York, NY; Rhode Island School of Design, Providence, RI
Something / Anything, Matthew Marks Gallery, New York, NY
Personal & Political: The Women’s Art Movement, 1969-1975, Guild Hall Museum, East Hampton, NY
The Cone Family Legacy: Selected Gifts to the Weatherspoon Art Museum, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
Talking Across Time: Sculpture from the Permanent Collection 1960-2000, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
2003
In the Eye of the Beholder, George Adams Gallery, New York, NY
Recent and Contemporary American Art, Scottish National Gallery of Modern Art, Edinburgh, Scotland
Creative Space: Fifty Years of Robert Blackburn’s Printmaking Workshop, International Print Center, New York, NY
Challenging Tradition: Women of the Academy, 1826-2003, National Academy of Design, New York, NY
2004
Presence, Chelsea Art Museum, New York, NY
Mike Kelley: The Uncanny, Tate Liverpool, Liverpool, United Kingdom; Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Between Art and Life: From Joseph Cornell to Gabriel Orozco, Miami Art Museum, Miami, FL
American Art: Selections from the Permanent Collection 1960-Present, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
Black and White: Contemporary Art from the Collection, Phoenix Art Museum, Phoenix, AZ
2005
Upstarts and Matriarchs: Jewish Women Artists and the Transformation of American Art, Mizel Center for Arts and Culture, Denver, CO
Contemporary Women Artists: New York, University Art Gallery, Indiana State University, Terre Haute, IL
Collage: Signs & Surfaces, Pavel Zoubok Gallery, New York, NY
Artists and Civil Rights, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Drawn Across the Century, Selections from the Dillard Collection of Art on Paper, Contemporary Art Gallery, University of Colorado, Colorado Springs, CO
American Art: Selections from the Permanent Collection 1960-Present, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
2006
Skin is a Language, Whitney Museum of American Art, New York, NY
Twice Drawn, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
Lines of Discovery, 225 Years of American Drawings, Columbus Museum of Art, Columbus, GA; The Gilcrease Museum, Tulsa, OK; Kalamazoo Institute of Arts, Kalamazoo, MI; Arkansas Art Center, Little Rock, AR
When the Revolution Comes, Cullen Fine Arts, New York, NY
2007
Agents of Change: Women, Art and Intellect, Ceres Gallery, New York, NY
WACK! Art and the Feminist Revolution, 1965-1980, Museum of Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington D.C.; P.S.1 Contemporary Art Center (now MoMA PS1), New York, NY; Vancouver Art Gallery, Vancouver, British Columbia
The Critic as Advocate: The Legacy of Arlene Raven, College of Staten Island, Staten Island, NY
The Third Mind, Palais de Tokyo, Paris, France
Punch! Works by Women Artists from the Permanent Collection, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
2008
(un)common threads, Michael Rosenfeld Gallery LLC, New York, NY
Of Flesh, Form and Matter: Sculpture Selected from the UAMA Collections, The University of Arizona Museum of Art, University of Arizona, Tucson, AZ
Martian Museum of Terrestrial Art, Barbican Centre, London, United Kingdom
2009
Everywhere: Politics of Sexual Diversity in Art, Centro Galego e Arte Contemporánea, Santiago de Compostela, Spain
Propose: Works on Paper from the 1970s, Alexander Gray Associates, LLC, New York, NY
Reconfiguring the Body in American Art, 1820-2009, National Academy of Design, New York, NY
Atrium Exhibition, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
American Art II: 1960-Present, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
2010
Visible Vagina, Francis Naumann Fine Art, New York, NY
Different Strokes: Twentieth Century Drawings, George Adams, New York, NY
Coalescence: Collages from the Permanent Collection, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Another World: Dali, Miro, Magritte and Surrealists, Scottish National Gallery of Modern Art (Modern Two), National Galleries of Scotland, Edinburgh, Scotland
2011
From the Hand: Drawings from the Hofstra University Museum Collection, Hofstra University Museum, Hempstead, NY
Collage, Michael Rosenfeld Gallery LLC, New York, NY
Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
The Sculpture Show: The Surrealist Body, Scottish National Gallery of Modern Art (Modern One), National Galleries of Scotland, Edinburgh, Scotland
2012
Every Exit is an Entrance: 30 Years of Exit Art, Exit Art, New York, NY
Exquisite Corpses: Drawing and Disfiguration, Museum of Modern Art, New York, NY
To be a Lady: Forty-five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY
The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
INsite/INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
…On Paper, Michael Rosenfeld Gallery LLC, New York, NY
Women Sculptors of the National Academy, National Academy of Design, New York, NY
Sinister Pop, Whitney Museum of American Art, New York, NY
2013
Ballet of Heads: The Figure in the Collection, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA
personal, political, mysterious, The FLAG Art Foundation, New York, NY; Lora Reynolds Gallery, Austin, TX
A New View: Contemporary Art, Saint Louis Art Museum, Saint Louis, MO
Face to Face: Artists’ Self-Portraits from the Collection of Jackye and Curtis Finch, Jr., Arkansas Arts Center, Little Rock, AR; The Baker Museum, Artis—Naples, Naples, FL; Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL
Head to Head: Works from the Permanent Collection, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
East Building – Opening Installation, Saint Louis Art Museum, Saint Louis, MO
2014
A Chromatic Loss, Bortolami Gallery, New York, NY
The Sara Roby Collection, Smithsonian American Art Museum, Smithsonian Institution, Washington, DC
Inaugural Group Show: Gallery Artists, March Selwyn Fine Art, Beverly Hills, CA
Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY
Vintage Violence, Monya Rowe Gallery, New York, NY
New Hells, Derek Eller Gallery, New York, NY
Four Figures, curated by Tom Knechtel, Marc Selwyn Fine Art, Los Angeles, CA
Solitary Soul, Michael Rosenfeld Gallery LLC, New York, NY
2015
America Is Hard to See, Whitney Museum of American Art, New York, NY
Affinity Atlas, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Sarasota Springs, NY
It’s Never Just Black or White, Michael Rosenfeld Gallery LLC, New York, NY
METAL: American Sculpture, 1945-1970, Michael Rosenfeld Gallery LLC, New York, NY
Head to Head: Portrait Sculpture – Ancient to Modern, Scottish National Portrait Gallery, Edinburgh, Scotland
2016
Passages in Modern Art: 1946-1996, Dallas Museum of Art, Dallas, TX
Human Interest: Portraits from the Whitney’s Collection, Whitney Museum of American Art, New York, NY
Decade by Decade: Art Acquired in Its Time, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
It’s Not Your Nature, Michael Rosenfeld Gallery LLC, New York, NY
Collage: Moving Beyond Paper, Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, IL
American Array, Honolulu Museum of Art, Honolulu, HI
Contemporary Highlights from the Collection, National Academy of Design, New York, NY
Coming to Power: 25 Years of Sexually X-Plicit Art by Women, Maccarone, New York, NY
Surreal Visions, Montgomery Museum of Fine Arts, Montgomery, AL
2017
Delirious: Art at the Limits of Reason, 1950-1980, The Metropolitan Museum of Art - Met Breuer, New York, NY
Collage: Made in America, Michael Rosenfeld Gallery LLC, New York, NY
The Time Is N♀w, Michael Rosenfeld Gallery LLC, New York, NY
Body of Work, Honolulu Museum of Art, Honolulu, HI
Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017, Whitney Museum of American Art, New York, NY
Pratt Survey Exhibition Part 1: Camerado, this is no book, DeKalb Art Gallery, Pratt Institute, Brooklyn, NY1
1072 Society Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL
Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY
Why Draw? 500 Years of Drawings and Watercolors at Bowdoin College, Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME
You Are Going on A Trip: Modern and Contemporary Prints from the Permanent Collection, Santa Barbara Museum of Art, Santa Barbara, CA
2018
Like Life: Sculpture, Color, and the Body (1300-Now), The Metropolitan Museum of Art - Breuer, New York, NY
Birthday Presents, Ackland Art Museum, The University of North Carolina at Chapel Hill, Chapel Hill, NC
Celebrating 50 Years of the US Open Championships, United States Tennis Association (USTA) President’s Suite, Arthur Ashe Stadium, Flushing Meadows, NY
Modern American Realism: Highlights from the Smithsonian’s Sara Roby Foundation Collection, Portland Art Museum, Portland, OR
1960s: A Survey of the Decade, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Give a damn., The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
A Tradition of Revolution, Nasher Sculpture Center, Dallas, TX
In the Company of Women, Phoenix Art Museum, Phoenix, AZ
2019
Art After Stonewall, 1969 to 1989, Grey Art Gallery, New York University, New York, NY; Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY; Patricia & Phillip Frost Art Museum, Florida International University, Miami, FL; Columbus Museum of Art, Columbus, OH
Art of Defiance: Radical Materials, Michael Rosenfeld Gallery LLC, New York, NY
Drawn Together Again, The FLAG Art Foundation, New York, NY
The Sensation of Space, co-organized by the Warehouse and the Nasher Sculpture Center, Dallas, TX, The Warehouse, Dallas, TX
Foundations: Sterling Ruby, Nasher Sculpture Center, Dallas, TX
Beauty and Bite, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
Strange, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA
“War Within, War Without,” Collection 1940s-1970s, The Museum of Modern Art, New York, NY
Here We Are: Painting and Sculpting the Human Form, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
F***nism, The University of Arizona Museum of Art, The University of Arizona, Tucson, AZ
2020
Comfort, curated by Omar Sosa, Friedman Benda, New York, NY
Drawn Together: Five Centuries of Drawing from the Bowdoin College Museum of Art, Master Drawings New York, Driscoll | Babcock Galleries, New York, NY
Paper Power, Michael Rosenfeld Gallery LLC, New York, NY
FIGURE/S: drawing after Bellmer, Drawing Room, London, England
The Cone Family Legacy, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
InterStates of Mind: Rewriting the Map of the United States in the Age of the Automobile, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI
The Eclectic Eye: A Tribute to Duane Wilder, Princeton University Art Museum, Princeton University, Princeton, NJ
2021
Surrealism in American Art, Centre de la Vielle Charité, Marseille, France
Nasher Mixtape, Nasher Sculpture Center, Dallas, TX
NOT I: Throwing Voices (1500 BCE - 2020 CE), Los Angeles County Museum of Art, Los Angeles, CA
Vibrant: Artists Engage with Color, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
Ways of Seeing: Three Takes on the Jack Shear Drawing Collection, The Drawing Center, New York, NY
Sweaty Concepts, Williams College Museum of Art, Williams College, Williamstown, MA
2022
Peter Marino Art Foundation, Southampton, NY
Useless Bodies?, curated by Elmgreen & Dragset, Fondazione Prada, Milan, Italy
Drawing Matters, Emily Lowe Gallery, Hofstra University Museum of Art, Hofstra University, Hempstead, NY
Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s, Museum Brandhorst, Munich, Germany
9th Street and Beyond: 70 Years of Women in Abstraction, Part 2: The Geometric, Hunter Dunbar Projects, New York, NY
New York: 1962-1964, The Jewish Museum, New York, NY
A Gateway to Possible Worlds: Art and Science Fiction, Centre Pompidou-Metz, Metz, France
On the Nature of Things, Andrew Kreps Gallery, New York, NY
2023
Ecstatic: Selections from the Hammer Contemporary Collection, Hammer Museum, University of California, Los Angeles, CA
Over the Rainbow, Centre Pompidou, Paris, France
10 of 80 + 1, Case Gallery, Rowan University Art Gallery and Museum, Rowan University, Glassboro, NJ
What Has Been and What Could Be: The BAMPFA Collection, Berkeley Art Museum & Pacific Film
Archive, University of California, Berkely, CA
2024
The Art of Assemblage, Michael Rosenfeld Gallery LLC, New York, NY
A Reverence for Place, Crystal Bridges Museum of American Art, Bentonville, AR
Flags: A Group Show, Paula Cooper Gallery, New York, NY
Montage, Gazelli Art House, London, England
The Brooklyn Artists Exhibition, Brooklyn Museum, Brooklyn, NY
Vital Signs: Artists and the Body, Museum of Modern Art, New York, NY
18 Women: 50 Years, Michael Rosenfeld Gallery LLC, New York, NY
![[un]common threads](/www_michaelrosenfeldart_com/uncommon_threads_install_34.jpg)
